Sunday, September 19, 1999

 

American Beauty

In a suburb of an American city there lives a family, a husband (Kevin Spacey), a wife (Annette Bening ) and a teenage daughter (Thora Birch).  The wife is a successful real estate agent. The husband has a successful career having worked 14 years for an ad agency.  The daughter has friends and seems to be doing well in high school.  But let’s look closer.  The wife is ambitious but cannot come close to achieving the success of  a competing agent she refers to as the King of Real Estate.  The husband has a new boss who is in the process of evaluating all current employees to determining their “ value “ to the company.  The daughter, though pretty, cannot help but see herself as living in the shadow of her best friend who has the sort of looks that gets everyone’s attention when she enters a room.  Family life is also a series of compromises.  The wife has adjusted to the fact that her husband lacks her ambition and sense of order.  The husband has adjusted the fact that his job is unfulfilling and in order to have a peaceful home life he must accept his wife’s obsessive behavior.   The daughter has adjusted to the fact that her parents have other priorities and her needs are somewhere down the list.

This view of what at first appears to be a happy family in a serene suburban setting is in fact a delicate balancing act.  When the house next door is sold and a new family moves in there is no apparent threat to this balancing act.   But series of events leads to an gradual unraveling of  the balance in this family.

American Beauty is being promoted as a dark comedy.  There are numerous scenes in the movie that taken out of context are very funny.  Yet taken as whole the movie is a very emotional journey with tragic consequences.  Kevin Spacey and Annette Bening are two accomplished actors who deliver performances that are sure to add to their standing in the film community.

A hauntingly beautiful film that causes us to question the values and priorities that we often  take for granted.

 

Stephen Van Lydegraf

9/19/99